Psalter
Soon, if I improve my piano skills with more lessons and more practice, I'll be able to play the songs in The Genevan Psalter, compiled by Michael E. Owens. The metrical psalter (also called The Huguenot Psalter) was originally created under the supervision of John Calvin. If you know me, you probably know I'm a huge fan of this Reformed hero. The Institutes of the Christian Religion is one of my favorite books of all time. I read the book in Kindle, during my long, humid, sweaty MRT commutes to the Philippine General Hospital from Mandaluyong.
The melodies were all composed between 1539 and 1562 in Geneva, Switzerland, at the request of John Calvin, for use with French metrical translations. No melodies have been added or removed since that time. Many have appeared in several forms, often rhythmically altered. They have been harmonized many times, in many ways, and have been often used without harmony. They have been sung with many different lyrics in several languages. Until the mid-1800s, they were widely used on the continent of Europe, the British Isles, and the New World. They are still used in some churches in Canada and Europe and Australia.
Currently, I'm working my way through Beethoven's Moonlight Sonata (first movement). Ma'am Deb gave me two hymns to practice on: Holy Holy Holy and It Is Well With My Soul.
Rediscovering music has led me to appreciate all kinds of music. I'm now subscribed to the amazing podcast, The Open Ears Project, "in which people share the classical track that means the most to them and why." I particularly liked the episode in which musician Damien Sneed "reflects on how playing Liszt’s Étude No 3, 'Un Sospiro,' for both his biological and adoptive mothers allowed him to finally loosen his grip around ideas of adoption, rejection and acceptance."
Labels: film/music
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